The Immortal Irishman

Perhaps the most demoralizing passage I have read in many years. I was born a Farley.  My father was a Farley and his Irish heritage burned deep in his soul. We traveled there once together, the only visit for each of us, and it was one of the most memorable experiences of my life.  So the history of oppression of the Irish people feels a little personal to me.

This from one of my favorite authors, Tim Egan: The opening paragraphs of his fascinating biography of Thomas F. Meagher, The Immortal Irishman.

"For the better part of seven centuries, to be Irish in Ireland was to live in a land not your own.  You called a lake next to your family home by one name, and the occupiers gave it another.  You knew a town had been built by the hands of your ancestors, the quarry of origin for the stones pressed into those streets, and you were forbidden from inhabiting it.  You could not enter a court of law as anything but a criminal or a snitch.  You could not worship your God, in a church open to the public, without risking prison or public flogging. You could not attend school, at any level, even at home. And if your parents sent you out of the country to be educated, you could not return. You could not marry, conduct trade or go into business with a Christian Protestant. You could not have a foster child. If orphaned, you were forced into a home full of people who rejected your faith. You could not play your favorite sports--hurling was specifically prohibited. You could not own land in more than 80 percent of your country; the bogs, barrens and highlands were your haunts. You could not own a horse worth more than 5 sterling. If you married an Englishman, you would lose everything upon his death. You could not speak your language outside your home. You would not think in Irish, so the logic went, if you were not allowed to speak in Irish.

"Your ancient verses were forbidden from being uttered in select company. Your songs could not be sung, your music not played, your Celtic crosses not displayed. You could be thrown in prison for expressions of your folklore or native art. One law made it a felony for "a piper, story-teller, babler or rimer" to be in the company of an Englishman. Another six statutes banished bards and minstrels. You could not vote. You could not hold office.  You were nothing. "The law does not suppose any such person to exist as an Irish Roman Catholic," said John Bowes, an eighteenth-century lord chancellor of the island. Nor could any such person draw a breath without the Crown's permission.

"The melodies of this nation and its favorite instrument were a particular target of English hatred. At one point, your fingernails could be removed if you were caught playing the harp. The Irish married to the sounds that came from that instrument, and they grieved in some of those same keys. But the indigenous music came to be seen as subversive--too nationalistic, too connected to the old stories. In 1603 it was proclaimed that "all manner of bards and harpers" were to be "exterminated by martial law." That same year, a few months before her death, it was said in Ireland that Queen Elizabeth had ordered her troops to "hang the harpers, wherever found, and destroy their instruments." The Virgin Queen allowed Shakespeare and Marlowe to reach great heights during her long reign, but Elizabeth had not a thimble of tolerance for a people she considered primitive. To encourage the elimination of one musical aspect of that culture, the government paid a bounty to anyone who turned in outlaws of the harp. The musicians were easy to round up; many of them were blind, music their only refuge and source of income.

"What had the Irish done to deserve these cruelties? They had refused to become English."

Leon Russell

Sittin' on a highway in a broken van
Thinkin' of you again.
Guess I have to hitchhike to the station;
With every step I see your face
Like a mirror looking back at me
Sayin' you're the only one.
Making me feel I could survive.
I'm so glad to be alive.
Nowhere to run and no guitar to play.
Mixed up inside and it's been raining all day
Since you want away.
Manhattan Island Serenade.

Leon Russell has always been one of my favorite performers.  As a teenager, my friend Randy and I would buy his albums as they came out, and I remember us listening repeatedly to the eponymous Leon Russell, Leon Russell and The Shelter People, Leon Live, Hank Wilson's Back and--still one of my favorite albums for late-night solo road trips--Carney.

He was a gifted songwriter, and many of his songs became hits for other leading musicians. like This Masquerade (George Benson), Superstar (The Carpenters) and A Song for You (Danny Hathaway and many others).  He was highly respected throughout the music industry, producing for many of the top stars (Stones, Dylan, Sinatra) and often performing as well (keyboards, guitar). Elton John says Russell was his biggest influence as a pianist and songwriter.

I saw him in concert in Florida in the 90's. He was already prematurely hobbled then, walking with a cane and sitting at the keyboards throughout his performance. But his voice was still distinctive and captivating and the concert featured both his mournful love songs and the high-energy rockers that always made him fun.

R.I.P. Leon Russell.  Today I'm singing a song for you.

What Goes Around ...

I had the good fortune of taking a car full of teens to a mentor picnic.  One of them, a 14-year-old Hispanic boy named Walter (the only Latino I have ever met with that name!),  said he liked music. So we took turns sharing some of our favorite songs.

He started with the powerfully emotive Disturbed cover of Sounds of Silence. (I felt very with-it, having already heard it.)  Of course, I had to expose him to the exquisite harmonies of  Simon & Garfunkel in the original version, which was new to him.

After sharing a few more songs, including turning him on to Odetta's Midnight Special, Walter shocked me with this pick from his personal library, "I Don't Want to Set the World on Fire," by the Ink Spots, which was a big hit in 1942!  My faith in the next generation has been restored.

How to Create a Mind: Ray Kurzweil

Another favorite book from my library--notes from rereading it today:

• The story of human intelligence begins with a universe that is capable of encoding information. The odds of this happening are astronomically small.
• Only homo sapiens have a knowledge base that evolves, grows exponentially, and is passed down from one generation to another.
• Kurzweil's Law of Accelerating Returns (LOAR) states that an evolutionary process inherently accelerates and its products grow exponentially in complexity and capability.  An example of this would be the human genome project: The amount of genetic data the world has sequenced has doubled every year for the past 20 years (book was published in 2012).
• The world is inherently hierarchical.  Trees have limbs, limbs have branches, branches have leaves.  The brain stores and reassembles memories in a similar hierarchical structure.  Paragraphs are composed of sentences, then of words, then letters, and most fundamentally, strokes.  Our brain stores each of these strokes in separate locations. restoring them as patterns as needed.
• Our memories are listed in forward order, and we can only remember them as such.  (Try reciting the alphabet backwards.)
• The neocortex is the part of the brain responsible for memory, perception and critical thinking. The basic algorithm of the neocortex is pattern recognition. The basic unit of the neocortex, according to Kurzweil, is a collection of neurons which is a pattern recognizer.
• Images are stored as lists of features which are elements of patterns.  Hence there is much overlap and redundancy with similar images.
• "Identity lies not in our genes, but in the connections between our brain cells."  MIT neuroscientist Sebastian Seung.
• Our memories are sequential and in order.  They can be accessed in the order they are remembered.  We are unable to directly reverse the sequence of a memory.  (Try reciting the alphabet backwards.)
• Our memories are stored as sequences of patterns.  There are no videos, images or sound recordings stored in the brain.  Memories that are not accessed dim over time.
• Our conscious experience of our perceptions is actually changed by our experience. We are constantly predicting the future and hypothesizing what we will experience.  This expectation influences what we will actually perceive.
• A human master in a particular field has mastered about 100,000 chunks of knowledge.
• The neocortex is "plastic," i.e. can change.  For instance, if one portion is damaged or injured, another portion of the neocortex can take over those responsibilities.  In an extreme example, there is evidence that the visual cortex in blind people can be used for language processing. This is possible because all sections of the neocortex use the same basic pattern-recognition and prediction algorithm.  It's what the brain does.
• Only mammals have neocortexes.  the human neocortex is much bigger than other mammals. Those folds in the brain allow broader surface area of the neocortex to fit into our skulls.

Memento Mori

There are few better illustrations of the sometimes curious vestiges of fame than Lil Johnson, a female blues singer who recorded in the 1920's and 1930's. Johnson's specialty was hokum, a popular form of early blues based on thinly veiled sexual metaphors.  (It's not hard to find elements of hokum in the majority of blues songs from that golden era.) Johnson was one of the more risque practitioners, whose popular recordings included "Press My Button (Ring My Bell)," "Get 'Em From the Peanut Man (Hot Nuts)," and "Anybody Want to Buy My Cabbage?"

A diligent search on the web reveals almost nothing about Johnson's life.  Blues historians can't ascertain when or where she was born, anything about her family or what happened to her after she quit recording in 1937.  All we have is her music--and as I sit here listening to her sing "You'll Never Miss Your Jelly Till Your Jelly Roller's Gone," I wonder where she came from and where she went and how she saw her career.  Perhaps she thought that, but for the twists of fortune, she might have had the success of Ma Rainey or Bessie Smith, or at least Ida Cox or Victoria Spivey. But I can only imagine.

This from "You're Just a Cream Puff":

You're like an automobile:
You wanna go fast.
But before you get started
You run out of gas.

R.I.P Lil Johnson.  Ars longa, vita brevis.

The Invention of Air

I have been thinking that it might be fun to take interesting tidbits from some of the books I've read recently and post them.  I don't want to write  book reviews; rather, just note a few of the things that caught my attention. (I have an ulterior motive--to aid in my memory.) I'm starting with a book I just finished today: The Invention of Air, by Steven Johnson.  It's a terrific book about Joseph Priestly, one of the seminal thinkers of the late 18th and early 19th century and a leading scientist of the Enlightenment.

• Ben Franklin (a great friend and mentor to Priestly) was the first to map the path of the Gulf Stream across the Atlantic, which was very beneficial to the shipping industry in accelerating the east-bound transatlantic voyages.
• In the 18th century, science was referred to as "natural philosophy."
• Franklin was really a significant figure in the early development of the science of electricity. I'd always thought he was just a dabbler, and that his kite experiment was on the fringe of the science. Actually, Franklin coined the terms "charged," "battery" and "conductor."
• In the early days of electricity in the mid-1700's the primary application was parlor tricks.  Here's a drawing of a boy hanging from a silk rope that transfers static electricity to a young girl by touch. Volunteers would be called from the audience to experience the voltage first-hand.  Those that practiced this magic for entertainment were known as ... electricians.
  
• Samuel Boswell, speaking wryly on politicians: "I said that, as it seemed to be agreed that all members of Parliament became corrupted, it was better to chuse (sic) men that were already bad, and so save good men."
• European men in the 18th century were two inches shorter than in the 21st century. Five-foot-eight-inches was considered tall.
• Marx correctly identified three new macro processes that would drive change in the coming centuries: Class struggle, the evolution of capital and technological innovation. 
• Most great inventors in history have been blessed with the gift of leisure time.
• Priestly was the first to make carbonated beverages, but incorrectly believed drinking them would prevent scurvy.  
• As Johnson has written elsewhere, the emergence of coffeehouses in the 17th and 18th centuries played a major role in the development of thought and innovation.  One reason was that coffeehouses became hubs of cross-disciplinary interaction.  Another was that, prior to the introduction of coffee into Europe, the most popular beverages were beer and wine, because the fermentation made them a much safer drink than water.  It was not unusual for men to drink beer for breakfast and throughout the day. As most college students can attest, caffeine is a more effective intellectual catalyst than beer. 
• One of the highly debated areas of 18th-century science was why things burned up. One popular (but famously incorrect) theory was that all things that could burn contained a substance call phlogiston, which was used up in the burning process.
• Giantism was a defining characteristic of the Carboniferous Age, between 350 million and 300 million years ago, before the earliest dinosaurs. The fossil record reveals giant dragonflies, ferns the size of oak trees, flies as big as birds and 50-foot tall grasses.  By 250 million B.C. the scale of things was restored to what we see on Earth today.  This phenomenon was the result of an unusually high level of oxygen in the air--35% vs. the current 20%.  
• One of the keys to the eventual success of the Continental Army in the Revolutionary War was Franklin negotiating the purchase of 200 tons of a superior French gunpowder, which gave the Americans a superior firing range vs. the British.
• Priestly's book "History of the Corruptions of Christianity" got him chased out of England. A Unitarian minister, Priestly believed that the magic and mysticism of Christianity, including the concept of the Trinity, were all added long after Christ had died. His view was highly controversial and incendiary, but was embraced by his good friend Thomas Jefferson, as it reconciled science with a new form of Christianity.  Jefferson once wrote "I am a sect by myself, as far as I know."
• Priestly was the first scientist who sought exile in America.  He settled in North Central Pennsylvania, not far from Williamsport.
• The early definitions of the term "innovation" were essentially negative, i.e. a new development that threatened the existing order in a detrimental way.
• Both Thomas Jefferson and John Adams died on July 4, 1926, 50 years to the day after the signing of the Declaration of Independence.

Dinwiddie and Dylan

Last night I was listening to some obscure music from 1902--the Dinwiddie Colored Quartet, which specialized in black jubilee music and toured as part of a vaudeville revue.  Suddenly, I hear something that sounds unmistakenly like Bob Dylan's "I Shall Be Free," from his The Freewheeling Bob Dylan album.  I listen again, and sure enough, Dylan borrowed the tune from the recording of "The Poor Mourner."

You can listen to both on Spotify or Rdio.

A lot of rock 'n roll songs trace their roots from blues classics, including Statesboro Blues, Midnight Special, CC Rider, Whole Lotta Love, Rock Me Baby, Midnight Hour, Smokestack Lightning and more.  But this one--from the Dinwiddie Colored Quartet in 1902--struck me as the most surprising.

Robert Wilkins

Last night I discovered Robert Wilkins, a somewhat obscure blues singer and guitarist, born in 1896 in Hernando, Mississippi, just south of Memphis.  It was midnight and I was winding down, chilling to his light-fingered Piedmont-style guitar, crisp vocals and thoughtful lyrics, when this line from Falling Down Blues caught my attention:

I'll certainly treat you just like you was white.
I'll certainly treat you just like you was white.
If that don't satisfy you, girl I'll take your life.

All sorts of things crossed my mind.  First, how politically incorrect!  And then, how much things have changed, only to come back.  In a different context, it almost sounds like a contemporary rap lyric.

Robert Wilkins has an interesting story. In 1928 he recorded the song Rolling Stone, for Victor Records.  He only did a few other blues recording sessions, the last one in 1935, and his body of recorded work is limited.  Blues was a rough and rowdy scene in those days. with musicians playing bawdy songs in juke joints, parties and travelling medicine shows, with plenty of home-made liquor and a surprisingly abundant supply of drugs.


The story is that Wilkins' wife became very ill and he prayed at her bedside that if God would let her live he would give up the blues and devote himself to religion. His wife did recover and Wilkins stayed true to his word and became a minister, often playing guitar and singing as part of his service. But he abandoned the old blues lyrics, often replacing them with religious ones.

His most famous song started as a blues tune--That's No Way to Get Along, which was later covered by Eric Clapton, Guy Davis and others. Wilkins rewrote the lyrics and in 1964, at the age of 72, recorded the new version as The Prodigal Son, (by The Reverend Robert Wilkins--Memphis Gospel Singer).  In 1968, a modestly altered version of Prodigal Son appeared on the Rolling Stones' Beggars Banquet album, but listed Mick Jagger and Keith Richards as writers/composers. When the song was identified as a Wilkins original, the Stones had to re-release the album with the proper credits. Copies of the original Beggars Banquet album with the misappropriated credits are a rare collectors' item.

Robert Wilkins died in 1987 in Memphis, Tennessee, at the age of 92.

New York State of Mind

Rebecca and I were in New York City last week, something we hadn't done together in many years.  I had a long list of things I'd like to do, but as I look back, most of our time was spent riding subways, walking to subways, looking for subways, turning around at the wrong entrances and walking from subways to some mystifying address.

Of course, this wasn't all that we did.  We also spent quite a bit of time deciphering subway maps. And being technologically savvy, we frequently gazed in confusion at Google Maps on our cell phones or iPad. Sometimes, for a change of pace, we turned on the audible walking directions. But since the decibel level on a Manhattan sidewalk is only slightly less than a Deep Purple concert I went to in high school, we couldn't hear a thing.  (By the way, if you reply "What?" or "Huh?" to the Google Maps Navigation, it just ignores you. Very rude.)

And sometimes we just walked around and looked at things, or at people, which there are a lot of in Manhattan.

Lest anyone think our trip was uneventful, that's far from true. We also stepped out and tried something new--using the fast-growing Uber transportation service.  Uber-driving seems to be a very popular new career for Eastern European emigrants. One of the benefits of Uber over taxis is that now the driver and I have each other's cell phone numbers, in case we want to get together for some stroganov and pickled herring.

We did some other stuff, too, but I don't recall what it was.

What the App?

I just received this from a friend who has developed an app, addressed to his "Friends and Family."  An excerpt from the email:

Apple relies very heavily on Ratings of apps to rank you in the App store and so we really need help boosting our number of 5 star ratings.  Could you please take a quick minute and give us a rating in the App Store.  Please also ask your kids or anyone with an iPhone to take a quick minute as well.

And it strikes me that asking friends and their kids to rate an app that they haven't used is less than admirable, both in a personal and business context.  Ask me to try, great.  Ask me to forward something, no problem.  Or to follow, share, etc.  But to say a product is great when I haven't used it ...

I've always been a little suspect about ratings, but now even more so, knowing someone who is a good person seemed quite comfortable with this practice.

Bio-Powers

Our language can be mischievous at times.

Today I read about a baseball player.  "He may be the smartest person in baseball," the article claimed. The only support for this speculation was that the player majored at Yale in biochemistry and biophysics.

Which got me to thinking that his credentials would not be nearly as impressive if he had merely majored in the more commonplace "chemistry" and "physics." Now I'm sure even these disciplines, particularly at Yale, are not for the intellectually feeble.  But adding the enigmatic prefix "bio-" elevates the fields to an entirely new level of imagined academic rigor and scientific elitism.

The applications abound.  "Mass" is a fairly pedestrian word, but "biomass" suggests the need for precision instruments.   Similarly, a "sphere" might be a child's toy, or a plastic model, but a "biosphere" is the stuff of major motion pictures, evoking images of scientists lumbering around in Hazmat suits while extras scurry about in color-coordinated one-piece coveralls with special patches.

The list goes on: Biotechnology, bioengineering, biofuels, biomedicine, biohazards, even the categorically distinct "biopic," all sound much more intriguing and sophisticated than their prefix-less selves. I even recall reading the opinions of a "bioethicist."  I have no idea how his particular field of moral analytics differs from Aristotle's or Kant's, but I was too intimidated by his title to even for a moment question his credentials.

Bio- adds credibility even in the vernacular. "I need a break," sounds wimpy, like you can't handle the rigors of the task  But if you need a "bio-break," well, when you gotta go, you gotta go.

I won't pretend to know exactly what "bio" means or how it modifies the definition of a word. Something to do with cells or organisms, I suppose, if my 9th-grade biology class is any indication.  (I remember reading about "zygotes," but the rest is sort of hazy.)  But the details don't matter.  Now that I've discovered the secret powers of the Bio, I can't resist using them.

Bill
Bioblogger, Bioconsultant, Biofather and Bioman

Sisu

I ran across the term "sisu" in a book recently and it struck me.  From the Wikipedia entry:

Sisu is a Finnish term loosely translated into English as strength of will, determination, perseverance, and acting rationally in the face of adversity. However, the word is widely considered to lack a proper translation into any other language. Sisu is about taking action against the odds and displaying courage and resoluteness in the face of adversity. Deciding on a course of action and then sticking to that decision against repeated failures is sisu.

Although I have a Finnish name, I do not have the blood of ancient Finns coursing through my veins.  But my children do, thanks to their mother, and I hope their characters are imbued with sisu, as it seems as fine a quality as any to find your way in this world.

Sorrow

Our friend Brent Scott passed away on Saturday.  I've been asked to conduct his funeral and to say a few words, which I am honored to do.  In preparing my words I ran across this poem, which contains a profound and beautiful truth.

I walked a mile with Pleasure;
She chatted all the way,
But left me none the wiser
For all she had to say.

I walked a mile with Sorrow
And ne'er a word said she;
But oh, the things I learned from her
When Sorrow walked with me.

                      --Robert Browning Hamilton

Slightly Better than a Nigerian Prince

A new twist on an old ploy:

LinkedIn

OPENLINK: YOU HAVE A NEW MESSAGE

From: Ewald Frank

Date: 8/12/2013

Subject: Dear Bill Aho ,

Dear Bill Aho ,

I am Barrister Ewald Frank (Esq.), A solicitor at law. Personal Attorney to late Mr. Robert Aho,was a contractor with European Development Company. Herein after Shall be Referred to My client On the 11th of September 2001 my client was involved in world trade center bombing unfortunately lost his live three month after the incident due to injuries he sustained in the bombing, since then I have made several inquiries to your embassy to locate any of my client extended relatives but this has proved unsuccessful.

After These Several Unsuccessful Attempts, I Decided to Track His Last name to Locate any of His Relatives hence I have contacted you to Assist in repatriating the Fund valued at US $ 10.5 million left Behind by My client before IT Gets confiscated or Declared unserviceable by the Unitrust Security Company in Lome / Togo where this huge amount was deposited in a trunk box under the coverage of family valuables. Security said the company has issued me A Notice to provide the next of Kin or have this Box confiscated within the next Twenty one Official working days as they do not know the content of the Box.

Since I have been unsuccessfully in locating the Relatives for over 2years now, I seek your consent to present you as the next of kin to the deceased, so that the proceedings of these boxes can be transfer to you. Therefore, on receipt of your positive response, we shall then discuss the sharing ratio and Modalities for transfers as I have every legal and Information Necessary Documents needed to back you up for Claim. All I require from you is your honest Cooperation to enable us See this transaction through. I guarantee that will this be executed under legitimate Arrangement that will protect you from any breach of the law. If you are interested kindly contact me Via this E-mail : (ewaldfrank@outlook.fr)

Thanks and God bless
Ewald Frank(Esq).

Learning by Peanuts

You can learn things in the most unlikely of places.   I recall as a kid wondering about the term "dog days."  Now I know, thanks to the remarkably erudite Linus van Pelt.

What's up, Docs?

Not by design I've watched four documentary movies in the past five days, an unprecedented documentary binge (even during Sundance).  In order of preference:

1. 20 Feet from Stardom--Just out in theaters, about female back-up singers. As expected, wonderful music, but also touching stories of these talented women reconciling to their roles.

2. Craigslist Joe--Somehow I missed this when first released. A really fun story about a guy who decides to live for a month off of Craigslist--starting with no money or possessions.  Inspiring.  Keep Shazam handy because the music is also great.

3. Ai Wei Wei--This has been on my list for a while now and we finally got around to watching it. An insightful and candid portrait of the world-famous dissident Chinese artist who is inspiring a movement to reform the repressive policies of the Chinese government.  Processing my reaction to him made for an uneasy brew of admiration, respect and revulsion.

4. Looking for Trouble--I saw a reference to this on my Twitter feed and watched it on the web--about the violence common to Cajun dances in the first half of the 20th century. I love examinations of unique cultures and this was interesting because it is so American, yet felt foreign and almost third-world.

The Sentence

Ryan is going to prison.

I first met him at the Wasatch Youth Center, a lock-up detention facility where I volunteer.  He came to all the meetings on Sundays and Wednesdays.  Ryan was bright, energetic and had a sweet spirit about him.  When he was released, we assigned him a mentor.  Then he made some mistakes and wound up in County Jail, where I have visited with him several times in the past few months.

This morning Ryan was sentenced to zero-to-five in the Big House.  He'll probably serve 18 months. At first I was sad, as I held his weeping grandmother in my arms, both of us knowing what prison can do to a 19-year-old boy.  And then I was angry, having just observed first-hand our legal system at work.

It was a tragic farce. His "Legal Defense Attorney" had not spoken to Ryan since his plea.   He seemed unfamiliar with the history of the case.  He had no idea of Ryan's side of the story.  So when the prosecutor rattled off unsubstantiated allegations in inflammatory language, his attorney was left to fumble through the papers and mumble back and forth with Ryan to formulate feeble responses to the judge.

I had seen the judge handle a dozen cases before Ryan's came up and I was impressed by her fairness and compassion.  But as this scene unfolded I could feel the sentence coming, like the denouement of a Greek tragedy.

If Ryan would have had a real defense--the kind where the lawyer is paid for his services and not compelled to take on pro-bono clients--the outcome would have been different.  Perhaps another six months in the County Jail.  Maybe less.  But the problem was, no one really cared enough about his future to make an effort--one that would result in justice, or in finding the best solution for Ryan.

As he left the courtroom, with tears in his eyes, he quietly said "I love you Grandma," and "Thank you Bill."  That image will haunt me forever.

For Ryan is going to prison.

Conversations

Two conversations from this week.

On the light rail, on our way to the science museum:

MJ: I'm going to be a scientist.
Josie: I'm going to be a ballerina scientist!
Rebecca: What's a ballerina scientist?
Josie: She puts on her ballerina outfit then twirls around while she does science.


When we were running late:

Rebecca: I got a little behind today.
Me: Isn't that what you've always wanted?

Just Try to Pry Me Out of those Cold Wet Canyons

Some really fun days in some fun canyons with lots of swimmers. So thankful for neoprene! Here's the write-up and pics from my friend Ram.

Zion, Full Left Fork:
Hammerhead to Upper Upper Left Fork to Das Boot to Subway.  Four canyons in one long day!

Zion Classics: 
Full Keyhole and Pine Creek.  Really a pretty easy day. But these are beautiful and very accessible canyons.

We also did a few variations of Aardvark Canyon in Escalante one day.  (Aardvark, North Aardvark and South Aardvark.)  But since these canyons are not published, Ram didn't do a write-up.  Good fun, though.  The "Skull Rock" above right is near the top of Aardvark and reminded me of something out of Treasure Island!

The Ballad of the Thin Man

I like Bob Dylan.  I really do. But often when I listen to his music I'm bitten by skepticism.  Like this morning, hearing The Ballad of the Thin Man, which is typical of most of his songs, I think.

It revolves around a wonderful little haunting snippet of a melody with a single penetrating metaphor.  (I call this the Andrew Lloyd Weber syndrome.)

Because something is happening here
But you don't know what it is
Do you, Mister Jones ?

Unfortunately, I find the rest of this song completely ineffable, and I bet that Dylan had only a vague notion of what these bizarre ramblings might mean.  They are like a drug-induced riff, where for a fleeting moment they make perfect sense to you, even resembling genius.  But when the psychotropic influences subside, you can only scratch your head and try to recall.  Perhaps his dedication should read: "Something was happening here, but I don't know what is was."

The entire song.  Judge for yourself:

You walk into the room
With your pencil in your hand
You see somebody naked
And you say, "Who is that man ?"
You try so hard
But you don't understand
Just what you'll say
When you get home.

Because something is happening here
But you don't know what it is
Do you, Mister Jones ?

You raise up your head
And you ask, "Is this where it is ?"
And somebody points to you and says
"It's his"
And you says, "What's mine ?"
And somebody else says, "Where what is ?"
And you say, "Oh my God
Am I here all alone ?"

But something is happening here
But you don't know what it is
Do you, Mister Jones ?

You hand in your ticket
And you go watch the geek
Who immediately walks up to you
When he hears you speak
And says, "How does it feel
To be such a freak ?"
And you say, "Impossible"
As he hands you a bone.

And something is happening here
But you don't know what it is
Do you, Mister Jones ?

You have many contacts
Among the lumberjacks
To get you facts
When someone attacks your imagination
But nobody has any respect
Anyway they already expect you
To all give a check
To tax-deductible charity organizations.

You've been with the professors
And they've all liked your looks
With great lawyers you have
Discussed lepers and crooks
You've been through all of
F. Scott Fitzgerald's books
You're very well read
It's well known.

But something is happening here
And you don't know what it is
Do you, Mister Jones ?

Well, the sword swallower, he comes up to you
And then he kneels
He crosses himself
And then he clicks his high heels
And without further notice
He asks you how it feels
And he says, "Here is your throat back
Thanks for the loan".

And you know something is happening
But you don't know what it is
Do you, Mister Jones ?

Now you see this one-eyed midget
Shouting the word "NOW"
And you say, "For what reason ?"
And he says, "How ?"
And you say, "What does this mean ?"
And he screams back, "You're a cow
Give me some milk
Or else go home".

Because something is happening
But you don't know what it is
Do you, Mister Jones ?

Well, you walk into the room
Like a camel and then you frown
You put your eyes in your pocket
And your nose on the ground
There ought to be a law
Against you comin' around
You should be made
To wear earphones.

Does something is happening
And you don't know what it is
Do you, Mister Jones ?

And yet, I have 17 Dylan albums on iTunes, and usually at least 2-3 on my phone. Clearly something is happening here. I just don't know what it is.